For those of you unfamiliar with
the process, getting a novel published professionally is actually a heck of a
lot of work. First there’s finishing up your manuscript to industry standards.
If you don’t have your manuscript formatted correctly, it’s a glaring red flag
of your lack of professionalism, and neither agents nor publishers are going to
take you seriously. Then there’s the submission/query process itself: are you
going to hit up publishers directly, or try to find an agent? Either way,
you’ll need to do plenty of research to find out who might be interested in
your work (if you write children’s books and query an agent who only handled
political biographies, you get an “F” in research), whether or not they look at
unsolicited manuscripts, whether or not they are accepting queries right now, and
– if they are – precisely how to
approach them. If they want a query letter and the first ten pages, and instead
you send a query and the first three chapters, guess what? You’ve just proved
you don’t pay attention to detail, your carelessness essentially suggests that
the agent/publisher’s time is not all that important. Once again: “F.”
So where am I in all this mess?
Well, I have two complete manuscripts, formatted perfectly to industry
standards. Both have a composed pitch. Right now only one has a synopsis (soooo
hard to write, but that’s another post), I need to do a good one for the other.
Currently, I’m working on compiling a list of agents to query. And this. Takes.
Time.
At one writer’s conference I
attended, I heard an agent say she wouldn’t bother querying fewer than 30
agents at a time. I also heard one published author explain that he had blanket
queried about 60 agents, but only heard back from about 26, out of which four
were interested, and only one had a potential publisher in mind. See how this
works? Putting together a list of potential agents is like the opposite of
shopping for good produce at the farmer’s market: you are not eyeing multiple
vendors of the same goods, sniffing and testing until you select that one,
mouthwatering, perfect peach. Nope, this is a lot more like panning for gold:
dump a ton of gravel in, swirl with care, and see if anything glitters as the
silt slowly washes out…over…and over…and over…again.*
So I’m visiting dozens of literary
agency websites, reading up on the individual agents in said agencies, checking
out other books/authors they’ve represented, and then drafting query letters to
each. Oh, and yesterday I went to bookstore and actually read a few chapters
from some of the books represented by some of the agents I think are the most
promising. This all very important – and it can be very exciting, like flipping
through a great cookbook and seeing so many beautiful possibilities – but it’s
also rather daunting; it’s easy to see these polished, professional finished
products and second guess myself. But hey, how do I know they didn’t all feel
the same way when they started this process?
I’ve started a page on this blog for
documenting my progress. I intend to update it every weekend, so feel free to
check in.
*If there are any agents reading this post, please do not
mistake me: you are ALL glittering gold nuggets—you just might not be mine. :-D
Great post! This is really solid advice. I was surprised at how many people do not realize that pitching in person and sending query letters are no different than applying for a job. It is imperative to only apply to relevant "positions", communicate clearly, stay on topic, and follow instructions. Something folks should also consider - a marketing proposal can put you ahead of the competition because it displays that you are willing to put in work and understand that publishing books is a business. Writing the perfect story is the hard part, but it's not where the effort stops.
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